VFX & CG Mentorship
Learn the real VFX pipeline from a VFX and CG Supervisor with 20+ years
at studios like DNEG, MPC, Mill Film, Framestore, and Pixomondo.
Not another course. Mentorship that makes you someone studios want to hire.
A tutorial shows you how one person solved one specific shot. It never teaches you why. The moment your shot is different, and it always is, you are stuck guessing again.
Foundations survive every software change and every new project. That is what I teach. Not buttons. Thinking. Then I give you real feedback on your actual work, which no tutorial can do.
Mentorship one-to-one, mentorship in a group, self-paced courses, or the tools I build on the job. Different formats, same standard.
Not sure which fits you? That is exactly what the free call is for.
The deepest, most personal path. Every session built around your discipline, your goals, and your pace.
$3,500 $4,900 Late 2026 offer
The same production-level standard, in a cohort of serious artists, with the momentum of not doing it alone.
$490 $650 Late 2026 offer
Start today, on your own schedule. A structured library you can rewatch forever, and a certificate on completion.
From $150
Browse the courses
Everything I make, ready to use. Production tools out of PXLsuite, plus models and assets, with every tool free.
Over 20 years in VFX and CG, across high-end blockbusters, TV series, commercials, and international advertising,
with major studios like DNEG, MPC, Mill Film, Framestore, and Pixomondo, among others.
Unlike a lot of the “courses” taught by people with no real production experience, I have supervised the work that ships.
I will make a professional out of you, someone studios actually want to hire.
No gimmicks, no false promises.
On AI: I use it where it genuinely helps the pipeline and I teach it honestly,
as a tool that sits on top of strong fundamentals, never as a shortcut around them.
AI is reshaping how the industry works and how we work day to day. That part is real, not hype.
But it does not replace the artist, it amplifies the one who already knows what good looks like.
The fundamentals are what turn a fast tool into a sharp result.
If you know your craft, AI gives you a superpower. If you don’t, it just confuses you.
You get a result in seconds and no way to judge it. Wrong reads, off proportions, broken continuity, and you cannot tell. So you guess, and the tool multiplies the guessing.
You move faster and sharper because you know what right looks like and what to reject. The tool does the heavy lifting, you stay in control of the shot.
AI for ideation, generative concepting, and previs, so you explore more directions before a single asset is built.
AI-assisted asset work, roto and cleanup, and upscaling or denoising, folded into a real pipeline instead of bolted on.
Comp assists, generative fill and cleanup, and look-dev and finishing, used where they genuinely serve the shot.
The message has not changed. Fundamentals first, then the tools that sit on top of them.
AI is now built into every mentorship I run, one-to-one and group, not a separate track, so you use it on your own shots from the start.
And a dedicated AI course is on the way at courses.pxlmentor.com, covering all three: pre-production, production, and post.
No mystery, no funnel tricks.
Four honest steps from where you are now to a reel studios actually respond to.
Tap any step to see what it really means.
We talk about where you are and where you want to go. No pitch, just honest guidance.
This is not a sales call. It is thirty minutes, one on one, with a working VFX and CG Supervisor who has actually shipped the kind of work you want to make.
You tell me where you are, what you are stuck on, and where you want to end up. If you have work, I look at it and tell you honestly what is holding you back and what would move the needle fastest.
Even if we never end up working together, you walk away with an honest read on your level and a real sense of direction. Most people have never had someone from inside the industry look at their work and tell them the truth, and that alone is worth the half hour.
The right format for you, 1-to-1, group, or courses, and a plan built around your goals.
There is no fixed syllabus you get slotted into. Once I understand your discipline, your goals and your timeline, we design the route together, a fully tailored plan built around you.
That means choosing the right format, one to one, group, or courses, and then shaping exactly what we cover around your real gaps, not a generic curriculum. A modeler and a compositor do not need the same plan, and neither does a total beginner and someone prepping a reel for a studio application.
You leave this step knowing what we will work on, in what order, and why, so every session after it has a clear target and none of your time is wasted.
Live sessions, assignments on your own files, and direct feedback the way a supervisor gives it.
This is where it gets real. You do not just watch me work, you work, on your own files, on the kind of shots and assets you actually want to be hired for.
In the live sessions I walk you through the thinking, the why behind every decision, then you apply it during the week. You bring back what you made and I review it the way a supervisor reviews a shot on a real production: direct, specific, and held to a professional standard.
That loop, doing the work then getting real notes on it, is the single thing that closes the gap between hobby work and hireable work. It is also the one thing no tutorial or pre-recorded course can ever give you.
Production-level standards, a professional mindset, and a reel studios actually respond to.
The goal was never just to finish a project. The goal is to make you someone a studio genuinely wants to hire.
By the end you think like a professional, you work to production-level standards, and you have a piece, or a reel, that clearly shows what you want to be hired for. You also understand how the industry actually reads work, so you can present yourself with confidence in an interview or an application.
I make no false promises, the work is still yours to do. But you will be aimed in the right direction by someone who reviews and hires artists at exactly that level, and knows precisely what the target looks like.
Their words, and the work they finished with me. Some have gone on to roles like Asset Supervisor, 3D Artist, and FX Artist in film. I do not pay for reviews and I do not fake them.
He didn't just point out what to improve, he literally went into my files to show me how to approach the work more effectively.
Michele Rocca
3D Artist, Automotive CGI
I had the opportunity to join Cristian's 30 day mentorship program with the goal of developing a complete portfolio piece. Coming from a background that already included university level 3D studies and two years of professional experience, I wasn't looking for a basic introduction but for real industry direction from someone who actually works at a high level.
Cristian delivered exactly that. He was incredibly open in answering questions about the VFX industry, offering honest critiques, artistic guidance, and practical feedback grounded in real production standards. What made the experience truly valuable was his hands-on approach: he didn't just point out what to improve, he literally went into my files to show me how to approach the work more effectively.
Throughout the mentorship he consistently emphasized how top tier studios operate: structured workflows, clear production phases, iterative development, and the ability to present progress to a client professionally. This mentorship refined the way I think about my projects and gave me a clearer understanding of what "studio level" work really requires.
Cristian gives you the right tools to evaluate your work critically and understand how to achieve results using the fastest and most efficient industry-standard workflow.
Federico Sgroi
3D Character Artist, Freelance
I had the privilege of participating in Cristian's mentorship. As a self-taught 3D modeller, it's always difficult to step outside your own bubble. You spend so much time studying and trying to improve, but you rarely receive real external feedback. Cristian was essential in this process, helping me notice things I simply couldn't see on my own.
Thanks to his experience, he offers not only an artistic perspective on how to approach your work, but, above all, a professional one. With his patience, friendliness, and expertise, Cristian gives you the right tools to evaluate your work critically and understand how to achieve results using the fastest and most efficient industry-standard workflow.
I highly recommend this mentorship to anyone who wants to step out of their comfort zone, confront their weaknesses, and truly improve.
Working with Cristian truly felt like being part of a real production environment.
Simone Ferrante
Working with Cristian truly felt like being part of a real production environment.
My background comes from photography and animation, and when I had the opportunity to work with him, he challenged me in a way I had never experienced before: starting from a 3D scan and developing a unique, production-ready portfolio piece from scratch.
This challenge was not without obstacles. There were moments where the process felt complex and demanding, but throughout the entire mentorship Cristian's presence was constant. I never felt left alone or unsupported, his guidance was always clear, timely, and focused on helping me move forward with confidence.
Being largely self-taught in some of the software, his experience was invaluable in helping me overcome technical and creative barriers that initially felt overwhelming. He has a natural way of pushing you out of your comfort zone, doing so with clarity, deep knowledge, and genuine availability.
His attention to detail is striking, and the way he delivers feedback is both precise and inspiring. Beyond the final result, this mentorship didn't just help me create a strong portfolio piece, it gave me a solid, high-quality working method across multiple aspects of production, from technical choices to workflow organization and artistic decision-making.
I'm truly proud to have taken part in this challenge and deeply grateful for the opportunity to grow under the guidance of such a skilled and committed mentor.
He doesn't just tell you what to change, he explains why it matters and how a supervisor or a client would see it.
Alex Cuesta
FX Artist, FilmMaker
Working with Cristian has been one of the most important steps in my growth as an FX artist. Over the mentorship, his guidance helped me refine my workflows, optimize my setups for fast iteration and present clean, structured dailies that align with real production standards.
The thing that stood out the most for me was the clarity and depth of his feedback. He doesn't just tell you what to change, he explains why it matters and how a supervisor or a client would see it. This helped me strengthen both my artistic decision-making and my ability to adapt quickly to notes. You notice his experience right away: he identifies issues fast and communicates solutions in a way that is direct, constructive and easy to apply.
Even though the mentorship runs in a small group, the attention feels very personal. Thanks to the constant communication on Discord, we shared versions between calls, asked questions during the week and got quick replies, and even had extra one-on-one support when needed.
More than producing a single strong shot, this mentorship changed the way I approach FX as a whole, from technical choices and iteration strategies to communication, presentation and professionalism. Cristian sets a demanding but fair standard, expects the best of you, and gives you the tools and clarity to reach it.
Cristian's patient guidance took me from the fundamentals of 3D modelling to an advanced understanding of production pipelines and workflows.
Martina Boscolo
2D/3D Artist, Wargaming
When I began the Intro to CG & VFX mentorship with Cristian, I had no prior experience in 3D, but a strong foundation in 2D art and a passion for learning. Cristian's patient guidance took me from the fundamentals of 3D modelling to an advanced understanding of production pipelines and workflows.
His teaching style made complex concepts accessible, and he always went above and beyond to ensure I fully understood each step. This mentorship was invaluable, not only for the technical skills I gained, but also for the confidence and creative exploration it fostered.
Cristian created an environment that was both challenging and supportive, pushing me to grow as an artist while respecting my unique background in 2D. A pivotal aspect of this journey was learning to integrate my 2D skills with 3D tools, transforming my workflow and significantly elevating the quality of my work.
Beyond the necessary technical and practical acquisition, the course helped me tremendously in gaining autonomy and developing problem-solving skills.
Stefano Critelli
Asset Supervisor, Al-One
The mentorship with Cristian was an incredibly formative experience. During the course, I had the chance to learn tips, tricks, and knowledge about the most important software used in the field.
More than anything else, Cristian managed to convey a solid workflow and a positive mental approach to the work as a 3D artist. I was particularly struck by Cristian's ability to make you understand themes and topics primarily on a conceptual level, to then allow you to use the software and technique with awareness and mastery.
Beyond the necessary technical and practical acquisition, the course helped me tremendously in gaining autonomy and developing problem-solving skills.
His structured approach made even complex concepts accessible, and I quickly gained confidence in understanding the core aspects of the CG pipeline.
Margherita Golfetto
2D/3D Artist
I had the privilege of participating in Cristian's mentorship program, Intro to CG & VFX.
Starting with basically no prior experience in 3D, but I have strong background as 2D Artist, I embarked on a journey that covered the foundational principles of computer graphics, or as Cristian calls it, CG 101. His structured approach made even complex concepts accessible, and I quickly gained confidence in understanding the core aspects of the CG pipeline.
As we progressed, we focused specifically on modeling and look development. Cristian guided me through Maya, where I learned essential tools and techniques, and then introduced me to Substance Painter for texturing. His mentorship not only taught me the technical skills required for 3D modeling and texturing but also how to integrate these skills into a cohesive workflow.
The Intro to CG & VFX program provided a solid foundation that I can now build upon independently. Cristian's expertise, patience, and ability to break down complicated topics were key to my progress. I'm excited to continue exploring the world of 3D art with the confidence and knowledge I gained from this mentorship.
Everything I've achieved so far in my journey as a 3D Artist is thanks to his guidance.
Toni Mambro
3D Artist
With an incredible amount of knowledge and experience under his belt, I was lucky enough to have Cristian as my mentor. He didn't just teach me the core foundations of CG and VFX, he guided me through modelling, texturing, and lookdev, from the fundamentals all the way to advanced techniques in Maya.
Cristian made the entire learning path clear, structured, and incredibly efficient. Thanks to his method and feedback, I now feel confident approaching any asset from start to finish, without hesitation. Everything I've achieved so far in my journey as a 3D Artist is thanks to his guidance.
It allowed me to discover new productive approaches and develop a professional mindset, things that are unfortunately not taught in most standard school programs.
Davide Covallero
3D Artist & CEO, Setpoint Studio
I attended the CG Foundations mentorship with Cristian back in 2018. At the time, I had just finished a basic 3D course, and having the opportunity to interact with such a qualified professional and learn the secrets and techniques used in real productions was incredibly valuable and educational.
Although the course with Cristian was brief, it allowed me to discover new productive approaches and develop a professional mindset, things that are unfortunately not taught in most "standard" school programs. Extremely recommended!!!
He showed me some lifesaving hacks that helped me improve tremendously my working efficiency, and therefore I now have more time to produce better results for my clients.
Marco Massignani
Motion Designer & Art Director, Setpoint Studio
The mentorship I did with Cristian was very useful to me. Despite the fact that I'm a Motion Designer, studying with him helped me to better understand many aspects and fundamentals of CG that I was not aware of.
He also showed me some "lifesaving" hacks that helped me improve tremendously my working efficiency and therefore I now have more time to produce better results for my clients. I also gained greater awareness of my skills and resources, but also of the ones available "out there" that I did not know before and I will definitely pursue. Highly recommended!!!
I have just started my journey in CGI, so I definitely still have a lot to learn, but now, thanks to the review session with Cristian, I feel more confident about myself and my abilities.
The mentorship classes with Cristian were of great help to me not only to understand how I could improve professionally as a 3D artist, refining my skills in modelling and texturing, but also because, thanks to his advice, I learned how to better present my showreel in a more professional manner, to be ready for a possible interview with a VFX studio.
I have just started my journey in CGI, so I definitely still have a lot to learn, but now, thanks to the review session with Cristian, I feel more confident about myself and my abilities.
Answered honestly.
If your question is not here, that is what the free call is for.
A tutorial shows you how one person solved one specific shot. It does not teach you why they made those choices, so when your shot is different, and it always is, you are back to guessing. Mentorship is the opposite. I teach you the reasoning behind the work, the foundations that hold up no matter what software or project you are on. You also get something no tutorial can give you, real feedback on your actual work from someone who has supervised productions. That feedback loop is what closes the gap between hobby work and professional work.
Because tutorials teach steps, not thinking. You can memorize a hundred workflows and still not understand why your results look amateur. That is a foundations problem, not a tutorial-count problem. More tutorials will not fix it. Understanding will. That is exactly what mentorship is for, we find the gaps in your fundamentals and rebuild them so your work holds up under professional scrutiny.
No. A course is a fixed library you watch alone. Mentorship is live, it adapts to you, and you get direct feedback on your own work. I do go into your files to show you, not just tell you. The point is not that you finish something. The point is that you become good enough to get hired. Those are very different goals.
That is the whole point. I do not train you to finish a project, I train you to become someone studios want to hire. That means production-level standards, a professional mindset, and a portfolio that shows what you actually want to be hired for. Some of my mentees have gone on to roles like Asset Supervisor, 3D Artist, FX Artist in film, and studio founder. No guarantees, no false promises, this job still takes work from you. But you will be aimed in the right direction by someone who knows what the target looks like.
Schools teach a broad curriculum to a room, on a fixed timeline, often by instructors who have not worked on the floor in years, or ever. Mentorship is built around you, by someone actively working as a supervisor. You are not one of thirty students following a syllabus. You are one artist, getting guidance aimed at your specific goals and your specific weaknesses. Schools also cost far more and take far longer. That is not a knock on every school, it is just a different thing.
It is the most intensive and most tailored way to work with me. Everything is built around you, your discipline, your goals, your pace. Sessions are live, 3 hours each, split between technical and practical work. You get weekly assignments so you are actually applying what we cover, and at the end there are two extra 2-hour review sessions to consolidate everything. Nothing is off the shelf.
A live cohort where you learn alongside other serious artists. It runs weekly 3-hour sessions over about 10 weeks, roughly 30 hours of live guidance, at the same production-level standard as the 1-to-1, with the added energy of a group. You get real feedback and the momentum that comes from not doing it alone.
The courses are a self-paced library of 100+ pre-recorded videos you can start today and rewatch as often as you want, with a certificate on completion. They live at courses.pxlmentor.com. Courses are solo and on your own schedule. Mentorship is live and personal, with direct feedback on your actual work. Many people start with courses and move into mentorship later when they want someone to push their work to a professional level.
Yes, honestly and without hype. AI is a tool that sits on top of strong fundamentals, it does not replace them. I show you where it genuinely helps a real pipeline and where it does not, so you use it like a professional rather than lean on it as a shortcut. If your foundations are weak, AI will not save your work, and I will tell you that straight.
The standard tracks are priced on the cards above, so you can see the shape of it straight away. The 1-to-1 is built around you, so the final figure depends on how long we run and how the sessions are balanced, and we settle that together on the free call. Courses are listed at courses.pxlmentor.com. I never run fake discounts and I never pressure you.
Thirty minutes, free, no pressure.
Tell me where you are and where you want to be, and I will tell you honestly whether I can help and which path fits.
If it is not a fit, I will say so.
